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Victor Ambrus : ウィキペディア英語版
Victor Ambrus

Victor Ambrus, FRSA (born László Győző Ambrus, 19 August 1935)〔(【引用サイトリンク】title=''Victor Ambrus'' )〕 is a British illustrator of history, folk tale, and animal story books. He also became known from his appearances on the Channel 4 television archaeology series ''Time Team'', on which he visualised how sites under excavation may have once looked. Ambrus is an Associate of the Royal College of Art and a Fellow of both the Royal Society of Arts and the Royal Society of Painters, Etchers and Engravers. He was also a patron of the Association of Archaeological Illustrators and Surveyors up until its merger with the Institute for Archaeologists in 2011.
==Early life and studies==

László Győző Ambrus was born on 19 August 1935 in Budapest, Hungary. He continued to live in the capital, but spent many childhood holidays in the country, where he learned to draw horses. As he grew older he became an admirer of the illustrators Mihály Zichy, E. H. Shepard, Joyce Lankester Brisley, and the large historical paintings which he saw in public galleries.〔Martin (1989), pp. 83-86.〕 He received his secondary education at the St Imre Cistercian College, Budapest (1945-1953), before going on to study at the Hungarian Academy of Fine Arts for three years (1953-56),〔 where he was given a thorough grounding in drawing, anatomy and print-making. His four-year course was interrupted by the unsuccessful 1956 Hungarian Revolution against the Soviet-backed government, during which a building that he and his fellow students held came under fire from the Soviets.
In December 1956 he and many other students fled, first to Austria, then to Britain, where he hoped to study in the tradition of illustrators such as E. H. Shepard, John Tenniel and Arthur Rackham. From Blackbushe Airport and Crookham army camp, speaking no English, Victor presented himself at Farnham Art School, and was taken on, not to follow any particular course but to work at his drawing. Ambrus had already concentrated largely on engraving and lithography which, as he says, was an excellent training for line illustration. After two terms his tutor and the Principal of Farnham School, recognising that Victor was ready for a higher level of study, commended him to the Royal College of Art in London. Ambrus won a Gulbenkian scholarship to study printmaking and illustration there for three years (1957-60).

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